For many years, while I never doubted that I am a maker-of-things, indeed I apparently arrived with that characteristic, it never felt like I was an artist. I spent the philosophical aspect of my higher education learning about and thinking about why our culture chooses to draw a line between art and craft, the delineation began in the Renaissance. I don't identify as an artist, my self declared occupation on my tax forms is "artisan". To my mind and in my experience with other makers of things, "artists" are folks who make their art form irregardless of input or payment from others. And there is all the cultural baggage about what kinds of making are "art", which even if we don't agree with it, still permeates our lives, and the commentary from adults when we are children. I remember being told in reference to my creative endeavors as a teen and young adult "that is all well and good for a hobby, but you (will) need to major in something for a real job when you aren't in school.
Our plucky heroine went on to have enough varied peculiar jobs to have an appropriate resume for a back of the novel blurb, should I have turned out to be a writer of words rather than a manipulator of stuff. None of those things was a career, a real job, though I have been a working taxpayer since I was fifteen. Since 1993 I have been making SCA regalia, using my enameling and metalworking skills. And while I am fairly competent at what I do, I rarely ever spend my non-work time in that genre, unlike the metalwork "gods" I have been fortunate enough to meet or know as friends. This disconnect is part of what manifests in my mind as imposter syndrome, my not having the behavior like the other artists I know.
Whereas there is always part of my brain that is designing, not jewelry, not regalia, but my personal clothing. When talking about my dissatisfaction with Karen last week, I came up with the idea: "Making jewelry and regalia is my day job; creating whimsical unique garments is my art form." This counterchange of how I think about what I spend my time doing may be a solution to a mental and emotional challenge that has caused me pain for decades.Yesterday, when it became apparent my workshop wheelie chair(s) weren't rolling as well as formerly, it turned out that over the years the chair casters have been collecting random frelch, mostly snippets of thread that end up on the floor while sewing occurrs! This is not acceptable, and obviously my ongoing attempts to send bits and pieces into the large workshop wastebasket are ineffective.
What to do, what to do? Aha! One of my favorite designers, Ann Wood, has a pattern tutorial for making "stitched vessels", little containers made from precious (or not so precious) scraps of fabric. I already bought this pattern last year, it is currently residing in my folder of assorted future/someday projects, and I've intended to do something about the growing pile of garment sewing cabbage*. A pair of smallish containers to be placed right next to the sewing machine and the serger will be next up on my handwork list, though for now some small teacups will have to suffice.
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Finished up the stripey pinafore that is intended to be overdyed chocolate brown/black instead of off-white/black. Very pleased with the various width black linen bias edge binding and overlay. I used a second strip of bias to cover the places along the bottom edge of the skirt gores where it had been necessary to piece the fabric, and once I completed that, it reminds me very much of some Elizabethan skirt decoration.
My overdyeing turned out to be not quite as successful as hoped for. Apparently Procion MX #119 "Chocolate Brown" can be just a bit tricksy. The resulting color reads more like a dark grey than any sort of chocolate. It isn't perzactly brown at all, nor black, nor grey, but one of those betwixt-colors that I love but cannot name. And, since I didn't actually strain the dye (not having a suitable strainer) there are a few fairly subtle splotches here and there where the magenta in the dye mixture left speckles. Thankfully not alarmingly vivid given the overall darkcolor, but I notice them, sigh and alas. Once the pinafore is dry, it will get a careful looksee, (note from next morning, the magenta is in fact difficult to see if one isn't looking for it) and hopefully it will be friends with the rest of my wardrobe, despite being a peculiar dark rather than the hoped for chocolate brown.
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adorable Totoro ongiri bento
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Although Parkrose Hardware was having a 50% off sale, my plan to get over there and buy some Gamma lids ran headlong into the reality of spending multiple hours getting there and back. It is over an hour and a half each way on transit, with three transfers. Plus their full price is significantly higher than full price at TAP Plastics, so even the large discount turned out to be a little over $2 per lid. So, instead, time for a bit more housey chores to get done this weekend
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April SMART goals (x=extra)
| # | THINGS MADE | THINGS FIXED | THINGS GONE |
| 1 | glass button shirt | apple tree pruned | recycle bin |
| 2 | accordion pouch | tiny beaded star | greenwaste bin |
| 3 | bone acorn earrings | electric bill found | recycle bin |
| 4 | stripey pinafore | shirt sleeve length | - |
| 5 | - | tax papers | - |
| 6 | x | x | x |
| 7 | x | x | x |
| 8 | x | x | x |
| 9 | x | x | x |
today's gratitudes -
- my friend Claire is on vigil for the Order of the Laurel
- new stripey pinafore pleases me despite not being brown
- vocation avocation revelation
Time of Isolation - Day 2110
* "cabbage" is a collective noun for fabric scraps...
some historical context in this post


















