Keep on moving fans around at different times today, as enameling was on the schedule so I tried to get the house as cool as possible beforehand. I also rode my bike to the hardware store in the cool of the early morning, cool enough that I wanted my chore jacket, and got some duct tape to build my first Corsi-Rosenthal box.
Seen while out and about on my bicycle...
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figured out why I like the mango coleslaw so much, it reminds me of Frisco chicken - note to self, try making some teriyaki chicken to go with, the next time I make some... Concomitant with Pride Month, the FAFO Garb Challenge sort of exploded this last week in the online SCA community starting here in An Tir and gathering speed all around the Known World. "The FAFO Garb challenge: Make a period(ish) outfit inspired by a pride flag (or multiple) or a cultural reference that means something to you. Wear it to your group’s Yule/12th night celebrations and post pictures - that gives us 6-7 months to do this! ... Let’s take up space. Let’s be visible. We are here, and our SCA is Inclusive, and there is no place for hate in the SCA."
This, and the discussions and comments over on FB as this idea took root and spread, gave me a lot of food for thought, about how I wanted to participate, given that I am not attending in-person indoor events, and about things I rarely ever think about regarding my identity, and about what would be appropriate, (and fun) to add to my SCA wardrobe. I decided that I could start with a new tablet-woven Laurel headband, with the laurel leaves in rainbow stripes. These, and some other ideas (new panova in rainbow plaid wool? new headwrap/veil in rainbow striped linen) I have are very much in the "C is for Creative" end of the SCA, rather than in the historical end, but we actually do live in both worlds. And someday I hope to be able to go to SCA events again, at least some of the outdoor ones, maybe even later this summer??
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Well that was super annoying! One of the three enamels I have been working on all this week failed - the background turned an strange murky brownish color instead of transparent golden yellow. Bah! Now I need to create a new backing disk, complete with engraving and stamping, and a new set of cloisonne wires, and I am darn good and sure to make a new bunch of samples to see if I can suss out what went wrong before starting over on that one. Fortunately the other two seem to be behaving...
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June SMART goals (x=extra)
| # | THINGS MADE | THINGS FIXED | THINGS GONE |
| 1 | - | temperature/tea rose | - |
| 2 | - | - | - |
| 3 | - | - | - |
| 4 | - | - | - |
| 5 | - | - | - |
| 6 | x | x | x |
| 7 | x | x | x |
| 8 | x | x | x |
| 9 | x | x | x |
| 10 | x | x | x |
| 11 | x | x | x |
| 12 | x | x | x |
| 13 | x | x | x |
| 14 | x | x | x |
| 15 | x | x | x |
today's gratitudes -
1. our first attempt to zoom with Mom on Wednesday went well, it will be repeated each week from now going forward...
2. My beloved Mud Bay pals passed their final inspection and received their official "Certificate of Occupancy". They can, finally after all these years, move back into their house!
3. I might be behindhand, but after a day of experimentation, I think I figured out what the variable was that caused the issues with the enamel, and what to do about it. Temperature. If I keep the kiln around a hundred degrees or so lower than my usual 1500F, the transparent golden color seems more stable. I did a few additional tests with transparent flux, as I will need to use that to avoid the yellow turning orange/pink. I also prepared a new base plate with engraving and stamping. Tomorrow I will work on bending the cloisonne wires. It also occurred to me that the enamel with the color shift in the background could have a solid opaque background instead, rather than being scrapped. Hmmmm...
a bird list for Kestrel: House Finch, Scrub Jay, Crow, Dark Eyed Junco, Starlings, Peacocks.
Time of Isolation - Day 1077
(for my Mud Bay Pals)
(for my Mud Bay Pals)



